Which term is a Polish-origin dance in triple meter?

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Study for the Certificate of Merit (CM) Piano Theory Level 9 Exam with comprehensive materials. Explore flashcards, multiple-choice questions, and get ready to ace your test with our detailed explanations and hints.

Multiple Choice

Which term is a Polish-origin dance in triple meter?

Explanation:
Polonaise is the term that fits both cues: it is of Polish origin and is written in triple meter, typically in 3/4 time, with a stately, processional character. The minuet is also in triple meter but French in origin, so it doesn’t meet the Polish-origin requirement. Sotto voce is a dynamic marking, not a dance term. The gavotte is French and usually in a duple feel (often 4/4 or 2/2), not triple. So the Polonaise best matches both the origin and the meter described.

Polonaise is the term that fits both cues: it is of Polish origin and is written in triple meter, typically in 3/4 time, with a stately, processional character. The minuet is also in triple meter but French in origin, so it doesn’t meet the Polish-origin requirement. Sotto voce is a dynamic marking, not a dance term. The gavotte is French and usually in a duple feel (often 4/4 or 2/2), not triple. So the Polonaise best matches both the origin and the meter described.

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